Tuesday, December 24, 2019
Naguib Mahfouzââ¬â¢s Zaabalawi Essay - 516 Words
Naguib Mahfouzââ¬â¢s Zaabalawi The Islamic tradition, as reflected in Naguib Mahfouzââ¬â¢s Zaabalawi, has over the course of history had an incredible impact on Arab culture. In Mahfouzââ¬â¢s time, Islamic practices combined with their political relevance proved a source of both great power and woe in Middle Eastern countries. As alluded to in Zaabalawi, Mahfouz asserts the fact that not all Muslims attain religious fulfillment through this common tradition, and other methods outside the scope of Islam may be necessary in true spiritual understanding. My project emphasizes this spiritual tension by presenting a wineglass inscribed with Qurââ¬â¢anic verses. By examining the purpose and structure of this wineglass, the truth of Mahfouzââ¬â¢sâ⬠¦show more contentâ⬠¦In accordance with these symbols of essence, the Qurââ¬â¢anic script around the wineglass also proves applicable to Zaabalawi. It reads, phonetically: ââ¬Å"Iqra/ warabbuka al-akramu, Allathee AAallama bialqalami.â⬠Or in English: ââ¬Å"Recite in the name of the Lord, who has taught by the pen.â⬠This is a passage from the 96th Surah, Al-Aââ¬â¢laq in the Qurââ¬â¢an. Such references to writings and penmanship highlight the importance of calligraphic beauty in such a society. Muslims believe that it is important to read the Qurââ¬â¢an in Arabic. Their religion teaches that God intentionally presented the holy book to Arabs because their language holds a secret beauty and truth not found in others. Thus, if one is to complete the task of reading the Qurââ¬â¢an, it must be done in Arabic or with a corresponding Arabic text. For this reason, I wrote in Arabic script around the glass because its translation would be incomplete otherwise. Furthermore, the first command of Allah is ââ¬Å"Recite!â⬠This is reflected in the Muslim appreciation for both the oral recitation and visual replication of the Qurââ¬â¢an. Calligraphy, as a creative expression of the Qurââ¬â¢an, has become a predominant art form in many Muslim countries. The calligrapher in Zaabalawi, in fact, has had much contact with true spirituality in his mastery of the Arabic script. Therefore, my act of inscribing Islamic verses would, in their culture, be considered a type of prayer and homage
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